Missy | January 31, 2005

Yes, I saw the Arcade Fire last night and, yes, it was a very fine show. Pretty damn exhilarating, more like it. I’m having a bit of a superiority complex for being fortunate to have nabbed a ticket, which I didn’t lose. Meanwhile, I’m so busy that I’m just now sitting down to the blog and am too tired and slow-witted. They bring sort of the same feeling of Flaming Lips and Polyphonic Spree, with uplifting melody and lots of vocals, but not in an Up With People kind of way. Show-related posts (and some photos) appear elsewhere: here, here, and here. Unrequited Narcissism points to more photos. I didn’t get close enough to the stage even if I had brought a camera (the 9:30 Club generally has peculiar rules about cameras–which didn’t seem to be in effect last night–and as such, I never bring one when I go there.) Amidst the throngs of eager faces, the only familiar ones I bumped into was Yglesias (Will, were you there?) and a woman who works at my agency; I should have plowed my way frontward, but I had a pretty good viewing spot by the bar. Fantastic show.

They’re supposedly appearing on Conan tomorrow (Tuesday), in case you want to set your Tivo or, like me, those archaic things they call VCRs.

Missy | January 24, 2005

Back from blizzard country. There’s something peculiar about Brooklyn and snow, and I think it has something to do with “going sledding” being defined as either, “a car towing a kiddie pool through the streets” or, “hurling oneself down a BQE exit ramp embankment into a side street”. Awesome.

I’ve got some photos but I haven’t looked through them, much less formatted them. Surely at least one is salvageable. I’ll put it/them up as time permits in the next day.

UPDATE: Click on for a few photos.

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Missy | January 19, 2005

I’ve been sick. Actually, I was sick, then I got better, then I got worse, but I think I’m coming out of it. Anyway, I came home from work today and took a nap, only to be woken up by fireworks. Inaugural fireworks. This isn’t the first time I’ve been woken up by fireworks at the White House. It’s hard to get a good photo (and this will probably look better on a Mac), but I tried nonetheless.


White House not on fire, view from my apartment

I’m heading up to New York this weekend, so hopefully I’ll have more photos soon.

Missy | January 16, 2005

A portion of a mural, Adams Morgan.
Taken en route to my semi-regular Sunday supper at The Diner, where I sit at the counter attempting to finish the NYT crossword, where the same guy working every week sets down a glass of iced tea as soon as he sees me walk in the door.

Today’s photo

Missy | January 8, 2005


Searching for Bobby Fischer, Dupont Circle.
aka Saturday in the park with a homeless man playing chess with a small child. (Park chess is serious business. I wouldn’t ever dare to sit at one of those tables.)

Yesterday’s Photo

Missy | January 8, 2005


Stop!
Happy hour, Capitol Hill north.

Two photos

Missy | January 5, 2005

Here are today’s so-called “daily” photos.

Click.

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Missy | January 4, 2005

David Edelstein’s annual Movie Club has started.

UPDATE: And what I meant to say before my trigger finger sent this thing to “Publish”-land: I already, but unsurprisingly, find Armond White annoyingly abrasive, Stephanie & Charles kind of adorable, and I’m nodding along with all the Dogville talk despite my somewhat warmer reaction to the film.

One major reason I enjoy the Movie Club is because it lets film critics break out of the binds of their respective publications and show off their writing chops and their own personalities a bit more. It’s more of a conversation, even though each of them is aware that they still have to be “on”. But, statements like “I’m way past Dogville” are a little off-putting and unbecoming of a paid writer.

Missy | January 3, 2005

Tonight I start a new rehearsal session with Helanius for a dance workshop (performance on March 20!), and yesterday morning after class he simply said to me, “Bring kneepads”. Ouch already.

The albums.

Missy | January 2, 2005

First, let me say that I don’t think it’s possible to rank the records I liked best this year. None consistently wowed me from start to finish, or over the period of months on end (though I confess to a year-end flurry of music buying simply to catch up, so my favorites will most certainly bleed into the new year).

In alphabetical order, the top 10 (and as far as I can tell, Kanye West was nowhere near any of them):

  • The Arcade Fire, Funeral. Everybody and their brother is in love with this album, at least spanning DC and New York, and with good reason. It IS earnest, and it feels good to listen to. I’ve only just begun to dig into their lyrics, so maybe by the time I see them later this month it will be an Experience. Or something.
  • De La Soul, The Grind Date
  • Dizzee Rascal, Boy in Da Corner and Showtime. This guy has the chops. When I first put on Showtime, I got dizzy. Half the time I can’t understand what the dude is saying, but it doesn’t matter. Dizzee also wins the “Best Use of a Billy Squier Sample” award.
  • Madvillain, Madvillainy. Lots of words spilled forth by fans and music writers this year on this. I liked Nate Patrin’s commens in Spin:
    Madvillainy recalls yellowed Marvel Comics newsprint, indicating musty jazz records, and Bond-henchmen menace, all with an aloof sense of humor that suggests Bill Cosby murmuring thug-weirdo language.

    The truth is, I do not know how to write about this genre.
    (Also, via this album, I discovered last year’s fantastic King Geedorah record, which I’m retroactively putting on last year’s list.)

  • Mos Def, New Danger. I may catch hell for this one, because it certainly didn’t fare well with the critics. To be sure, there are some clunkers in the first half of the album, but the second half really flows.
  • Pinback, Summer in Abaddon. I liked Pinback, then I saw them in concert and ceased liking them so much. Then came this album, which is much more crafted, creative, and consistently pleasing to the ears than anything I’ve heard from this band. One of the most solid albums of the year.
  • The Streets, A Grand Don’t Come for Free. A riper album than its predecessor, Mike Skinner’s storytelling is kind of an art. Funny, though.
  • TV on the Radio, Desperate Youth, Blood Thirsty Babes. 70’s era Peter Gabriel?
  • The Walkmen, Bows & Arrows
  • Honorable Mentions (in other words, they haven’t yet been spun enough, or I spun them out of rotation and haven’t listened since but I still liked them for a time; in no particular order and sans album titles because I am lazy and want to get this list thing out the door): Sufjan Stevens, Blues Explosion, Elliott Smith, Mission of Burma, Hot Snakes, The Futureheads, Wilco, Lambchop, Iron & Wine, Death from Above 1979, Talib Kweli, Loretta Lynn

    Favorite songs:
    Jay Z, “99 Problems” (page has link to Quicktime video)
    RJD2, “1976″ (video options)
    Secret Machines, “Sad and Lonely” (audio from official site)
    Talib Kweli, “Broken Glass” (no link to song)
    The Walkmen, “The Rat” (video options)

    Guilty Pleasure:
    Keane, Hopes & Fears

    Live Show:
    Mos Def
    Runners-up: The Shins, The Hives

    The films.

    Missy | January 2, 2005

    The Top 10:
    1. Before Sunset (Richard Linkater)
    2. Spring, Summer, Fall, Winter….and Spring (Kim Ki-duk)
    3. The Return (Andrei Zvyagintsev)
    4. Sideways (Alexander Payne)
    5. Vera Drake (Mike Leigh)
    6. Eternal Sunshine of the Spotless Mind (Michel Gondry)
    7. Closer (Mike Nichols)
    8. The Brown Bunny (Vincent Gallo)
    9. Hero (Zhang Yimou)
    10. Metallica: Some Kind of Monster (Joe Berlinger and Bruce Sinofsky)

    Favorite performances:
    Ethan Hawke & Julie Delpy (duh), Before Sunset
    Paul Giamatti, Sideways
    Imelda Staunton, Vera Drake
    Honorable mention: Nicole Kidman, Birth

    Biggest Disappointment:
    This So-Called Distaster (Michael Almereya)

    Film that was, at the time of initial viewing, a strong contender for The List but has since slipped out of my memory until I see it again:
    Red Lights (Cedric Kahn)

    Favorite on-screen moment:
    Celine’s “Then I read your fucking book” meltdown, Before Sunset

    Most exciting use of editing in a film I think everybody’s already forgotten:
    Miracle (Gavin O’Connor)

    Favorite documentaries that are not about a band/music scene or the Bush administration/current political climate:
    S21: The Khmer Rouge Death Machine (Rithy Panh)
    The Agronomist (Jonathan Demme)

    Films that other people liked but that I didn’t:
    Distant (Nuri Bilge Ceylan)
    Crimson Gold (Jafar Panahi)
    Tarnation (Jonathan Caouette)

    Film that nearly made my list despite my irritations with the director (from 1:15 in until the car scene) which could still be a pretty great film OR the same old crap depending on, among other things, whether you viewed said director writing himself into the script as Thomas Edison or The Big Man:
    Dogville, Lars Von Trier

    Film that I think I put on my list last year with the caveat that it wasn’t yet in release and then it was released this year and I feel guilty about including it again but feel the need to mention it because I loved it:
    The Five Obstructions, Lars Von Trier & Jorgen Leth

    Favorite old film seen for the first time in 2004:
    Au hasard Balthazar, Robert Bresson

    First film seen in 2004:
    It’s a Mad, Mad, Mad, Mad World (Stanley Kramer)
    I know this because I kept a spreadsheet of the films I saw this year, thus fulfilling one of last year’s new years resolutions.

    Last film seen in 2004:
    Freestyle: The Art of Rhyme (Kevin Fitzgerald)
    Also the first film seen in 2005, because I watched it twice. (Thank you Josh.)

    Missy | January 1, 2005

    Happy New Year! The lists are coming soon.

    Meanwhile, I spent the past several days in New York. While I didn’t carry around my camera the whole time (for shame), I’ve got some shots to share, mostly from MoMA.

    Click on.

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